directed by Peyton Reed
written by Edgar Wright, Joe Cornish, Adam McKay and Paul Rudd
As much as I have truly savored seeing the Marvel Cinematic Universe unfold since the very first Iron Man movie in 2008, I will admit that, after eleven movies, which include films I find utterly sublime, like the aforementioned Iron Man, The Avengers, and Captain America: The Winter Soldier, I have finally started to feel a little fatigue set in, to the extent that at one point I was contemplating sitting out the MCU's twelfth film, Ant-Man.
More than just feeling tired of superhero movies in general and Marvel movies in particular, I was also one of the few film geeks who was put off by the fact that quirky British director Edgar Wright, who had basically devoted ten years his life to bringing this movie to the big screen, had left this film in a bit of a huff last year over "creative differences" with Marvel Studios. The trailer looked promising, though, and my kids were interested in seeing the movie, so partly out of curiosity and a sense of "duty" to my kids, I still went to see it, doubts notwithstanding.
I'm happy to say that I'm glad I overcame my misgivings and went to see the film; I had a really good time.
Scott Lang (Paul Rudd) has just done three years for burgling, and has resolved to go straight for the sake of his daughter Cassie (Abby Ryder Forston) to the extent that he even resists the enticements of his former partner-in-crime Luis (Michael Pena), at whose apartment he is now staying with two other "associates" Dave (Tip Harris) and Kurt (David Dastmalchian). Things take a turn for the worse, however, as Scott's employer lets him go upon discovering his criminal record, and Scott realizes that he won't be able to see his daughter until he gets on his own two feet. In a fit of desperation, he takes Luis up on his offer, which is to break into the vault of a rich old man away on vacation. As it turns out, that rich old man happens to be Dr. Hank Pym (Michael Douglas) creator of fantastic technologies, one of which shrinks humans to insect size while giving them extraordinary strength and the other of which enables people to communicate with ants. Pym, who actually allowed Scott to break into his house and steal his things, deliberately chose Scott because of the skill he displayed in one of his previous jobs, in which he burgled an ulta-rich one percenter who happened to have the most advanced home security system on the planet. Pym needs Scott to break into the facilities of the very company he founded in order to stop his former protege Darren Cross (Corey Stoll) from using technology derived from Hank's own inventions to create and sell a weapon of frightening power. Scott will have help from Pym, his reluctant(and highly-skilled) daughter Hope (Evangeline Lilly) and most importantly, an army of Pym's most useful allies: ants. Scott is reluctant at first, but agrees when he realizes the stakes, even if it means getting in way over his head.
The good news is that, even though Wright did not direct this movie, Reed does a job that can reasonably described as a couple of notches above competent, and even more encouragingly, Wright's fingerprints can be seen all over the film. The movie's a bit breezy and a lot more lighthearted than other MCU films, which says a lot considering that, with the possible exception of Captain America: The Winter Soldier, most Marvel movies have a certain buoyancy to them which, while making them fun to watch, also opens them up to criticism from people saying that they're pure fluff. The humor works differently here, though, in an Ocean's 11 sort of way.
Casting Paul Rudd as Scott Lang, while not quite as spot-on as the selection of Robert Downey Jr. as Tony Stark, was a clever move that paid off, as was the choice of making Lang the lead Ant Man and casting Michael Douglas as Henry Pym. What I love about these top-caliber actors like Douglas and, before him, Glenn Close, Robert Redford and Anthony Hopkins, is that none of them are slumming it in these roles for a paycheck, or just so they can say they were in a superhero movie. They all put in really engaging performances, and Douglas is no exception. Evangeline Lilly does a great job as Pym's firebrand of a daughter Hope, but ironically the filmmakers kind of shot themselves in the foot by creating such a strong female character and basically relegating her to a supporting role. Stoll's Darren Cross, while appropriately menacing, is like a few of the other the MCU antagonists that have come before him, yet another throwaway bad guy. Judy Greer, an actress whose work I enjoy, is utterly wasted in her second mom role this year. I was happy, though, about Michael Pena and the rest of the guys playing Lang's crew, who provide wonderful comic relief. Pena, in particular, is central to two of the film's most memorable sequences. The three characters kind of play up to ethnic stereotypes, but the actors playing them are having such a grand time of it that it's hard to begrudge Marvel this little indulgence.
What I had a little difficulty with, though, was the sequences basically tying Scott into the Marvel Cinematic Universe, which felt shoehorned into the script. Yes, they work from the logic of the MCU and achieve the intended result, but they feel disruptive of the film's overall narrative flow. This was a film conceived years before there was a grand design to fit all of these things together, and it definitely feels like it. About the only MCU insertion that feels right is the part of the script demonstrating and explaining Pym's disdain for Stark (played here by John Slattery, rather than the more youthful Dominic Cooper). At least it clearly establishes why Pym wouldn't run to the Avengers for help.
The movie was fun, though not anywhere near Marvel's very best. Still, it's definitely worth 120 minutes of one's time and a couple of hundred pesos. As with most Marvel movies, I skipped the 3D on this one.
7.5/10
Tuesday, July 28, 2015
Saturday, July 18, 2015
Cinematic Junk Food: A Review of The Minions
directed by Pierre Coffin and Kyle Balda
written by Brian Lynch
When the animated film Despicable Me came out in 2010, it captivated critics and audiences alike with its inventive story of a supervillain adopting three little girls. What the makers of the film may not have anticipated, however, was how popular said supervillain's droves of tiny, overall-wearing, gibberish-speaking henchmen, collectively called the "Minions" would eventually turn out to be the most influential pop-culture figures with yellow skin since Spongebob Squarepants. After increasing the exposure of the Minions in the second film, the next logical step, in view of their popularity, was to give them their own movie, and so we have the animated film "Minions."
Minions is the story of a race of little yellow creatures that have been around since the dawn of time, whose overriding purpose in life is, as illogical as it may sound, to find and work for the biggest villain in the world. In the course of their lives, they work for such renowned bad guys as the Tyrannosaurus Rex, Dracula, and Napoleon Bonaparte, and always end up causing their bosses' undoing, as a result of which they end up living in an ice cave for over a hundred years, until one of them, Kevin (Coffin, who voices all other minions), decides to go out an find "the" big villain to whom all of them can devote their apparently eternal lives in servitude. Leaving the cave, Kevin, accompanied by fellow Minions Bob and Stuart sets out to find this "big boss" and their travels take them to New York City in the year 1968, where they learn while watching late-night television, that the supervillain they are searching for may just be in Orlando, a femme fatale by the name of Scarlet Overkill (Sandra Bullock). They travel to Orlando and through a madcap sequence of events manage to impress her enough to get her to hire them, whereupon she gives them their big assignment: they are to steal the Royal Crown of England. While they will have at their disposal the gadgets of Scarlet's husband Herb (Jon Hamm), it wont be an easy task, but the Minions are always eager to please.
The paper-thin plot is barely enough to sustain the running time of a full-length movie, but the good news is that the slapstick involving the Minions is virtually non-stop, so all told it's still about eighty or so minutes of nice, mindless fun with topnotch computer-generated animation, all set to a totally groovy sixties soundtrack (though I also appreciated the familiar musical cue from the Despicable Me movies, which was also a staple of the mobile device game). Speaking of the game, it gets quite the shout-out from the filmmakers at the movie's climax.
That's the thing about this movie, though; one remembers things like the toys and the video games because unlike the quirky first movie, which was really about a middle-aged man becoming an instant dad for the very first time, this one, with its nonsensical plot and celebrity walk-ons really feels like a slickly-packaged product, designed primarily to sell related merchandise. It makes no pretensions about what it is and is not, but watching it felt like going on a junk food binge. It was a tasty treat in its own way, but not quite what I'd call a truly satisfying cinematic experience.
The kids loved it, and I was happy to indulge them, but I wouldn't let them watch movies like this on a regular basis for the same reason I wouldn't let them eat hotdogs everyday; it isn't really good for them.
6/10
written by Brian Lynch
When the animated film Despicable Me came out in 2010, it captivated critics and audiences alike with its inventive story of a supervillain adopting three little girls. What the makers of the film may not have anticipated, however, was how popular said supervillain's droves of tiny, overall-wearing, gibberish-speaking henchmen, collectively called the "Minions" would eventually turn out to be the most influential pop-culture figures with yellow skin since Spongebob Squarepants. After increasing the exposure of the Minions in the second film, the next logical step, in view of their popularity, was to give them their own movie, and so we have the animated film "Minions."
Minions is the story of a race of little yellow creatures that have been around since the dawn of time, whose overriding purpose in life is, as illogical as it may sound, to find and work for the biggest villain in the world. In the course of their lives, they work for such renowned bad guys as the Tyrannosaurus Rex, Dracula, and Napoleon Bonaparte, and always end up causing their bosses' undoing, as a result of which they end up living in an ice cave for over a hundred years, until one of them, Kevin (Coffin, who voices all other minions), decides to go out an find "the" big villain to whom all of them can devote their apparently eternal lives in servitude. Leaving the cave, Kevin, accompanied by fellow Minions Bob and Stuart sets out to find this "big boss" and their travels take them to New York City in the year 1968, where they learn while watching late-night television, that the supervillain they are searching for may just be in Orlando, a femme fatale by the name of Scarlet Overkill (Sandra Bullock). They travel to Orlando and through a madcap sequence of events manage to impress her enough to get her to hire them, whereupon she gives them their big assignment: they are to steal the Royal Crown of England. While they will have at their disposal the gadgets of Scarlet's husband Herb (Jon Hamm), it wont be an easy task, but the Minions are always eager to please.
The paper-thin plot is barely enough to sustain the running time of a full-length movie, but the good news is that the slapstick involving the Minions is virtually non-stop, so all told it's still about eighty or so minutes of nice, mindless fun with topnotch computer-generated animation, all set to a totally groovy sixties soundtrack (though I also appreciated the familiar musical cue from the Despicable Me movies, which was also a staple of the mobile device game). Speaking of the game, it gets quite the shout-out from the filmmakers at the movie's climax.
That's the thing about this movie, though; one remembers things like the toys and the video games because unlike the quirky first movie, which was really about a middle-aged man becoming an instant dad for the very first time, this one, with its nonsensical plot and celebrity walk-ons really feels like a slickly-packaged product, designed primarily to sell related merchandise. It makes no pretensions about what it is and is not, but watching it felt like going on a junk food binge. It was a tasty treat in its own way, but not quite what I'd call a truly satisfying cinematic experience.
The kids loved it, and I was happy to indulge them, but I wouldn't let them watch movies like this on a regular basis for the same reason I wouldn't let them eat hotdogs everyday; it isn't really good for them.
6/10
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